Oro Molido: enero 2026

viernes, 9 de enero de 2026

EXPLORATORIUM. BERLIN (GERMANY)

New discoveries in 2026

We recommend as your first step > explorations: Aranda Reich with Irene Aranda (piano) and Maria IJ Reich (violin) on 11 January | 20:00 | exploratorium berlin | admission on donations

Trust in the words of others: “The effects IRENE ARANDA creates break through the emptiness and awaken the senses for a truly impressive improvisation in which styles overlap, both hands act independently of each other, intertwine, and technique shines in all its glory … It is amazing how naturally a composition of such density emerges and how melodies arise from it that lead to tempo changes and harmonic developments.” – Carlos Pérez | Cruz El Club de Jazz

MARIA I.J. REICH is “embracing all sounds, dirty and rough, touching and lyrical, melodic and percussive. Reich sees the beauty in all of them, as well as their insconspicuous and imperceptible interdependence that weaves between all things.” – Eyal Hareuveni | Salt Peanuts

All details: https://exploratorium-berlin.de/en/events/stage/aranda-reich | DE for German

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Photos: Dovile Sermokas (top), Cristina Marx / Photomusix

ENSEMBLE 50:50- LONDON (UNITED KINGDOM)

Ensemble 50:50 London:UK, Jan 10th 3pm Open Ealing - W5 2TD

The System 50:50 in Sound approach is simple, versatile, and flexible, making it applicable to ensembles of any size, often with minimal prior preparation.

In essence, System 50:50 in Sound for improvisers is a form of composition. Its primary function is to create a space—specifically, one shaped by silence.

Originally developed to address the limitations of free improvisation, the 50:50 system has now evolved into its own distinct discipline and method.

SALA LA LONJA DEL PESCADO. APOLOGÍA DEL VACÍO- ALICANTE

MARMALADE. LA HORIZONTAL. MADRID

Inscripciones: https://forms.gle/6wsVYvNbmCTMvGLP6

miércoles, 7 de enero de 2026

MÚSICA DIFÍCIL - Emisión 06 de enero de 2026

PLAYLIST MÚSICA DIFÍCIL EN TIEMPOS DIFÍCILES 6 ENERO 2026

Polina Matskevych AKA Mlin Patz (2018)

⦁ MLIN PATZ: Odeon (TVRK, система, 2016)
⦁ MLIN PATZ: Live at Module, Dnipro, 10-3-2018 -extract
⦁ MLIN PATZ: Avgust Na Zakate Dnya (Sunlimit, Muscut, 2019)
⦁ MLIN PATZ: Rustling Tires Without a Car (Compilation Stay in Bed, volume II, Best Effort, 2020)
⦁ MLIN PATZ: Untitl Cuts 2 (Live at Museum Odessa, 2020)
⦁ KURL: Тихо (Mlin Patz remix) (Fickle- with bonus tracks, 2022)-bandcamp
⦁ MLIN PATZ: 20ft radio- Grains of Peace, Kiev 28-3-2022

lunes, 5 de enero de 2026

Caf OTO. London (United Kingdom)

Excited to join #KathyHinde and #MoshiHonen for an evening of 8 channel Surround Sound at Café OTO *** 7th Jan 2026 ***

A unique, immersive experience brings together three experimental composers/performers to engage with Café OTO’s surround sound system.

A concert of live composition, improvisation and bespoke musical instrumentation; presenting three solo sets, each with its own distinct sound world and original spatial approach.

More info and booking here - https://www.cafeoto.co.uk/.../surround-sound-gal-honen.../

kühlspot social club. berlin (germany)

Tuesday, 6. of January - 20:30h

Lehderstraße 74, Berlin Weißensee

Backyard at the very back left RED DOOR

This program brings together contemporary and classical traditions, and on the occasion of Alexander Scriabin’s birthday (6 January 1872), a solo is dedicated to him.

Set 1: filigree Duo Improvisation

Matthias Badczong - clarinet & Dietrich Petzold - violin/ viola

Dietrich Petzold and Matthias Badczong are classically trained musicians; Petzold works today across contemporary and applied music as a violinist, violist and composer in theatre, film and radio contexts, while Badzcong works today mainly in contemporary music as a clarinet and bass clarinet player, focusing on chamber music and ensemble work.

Set 2: „12 Improvised Études“ - inspired by the late works of Alexander Skrjabin

Isabel Anders - Piano Solo

The 12 Improvised Études shares aspects of Skrjabin´s approach to creating sound. Expressive intensity emerges through harmonic ambiguity, color and inherent tension. The Etudes develop — increasingly forward-driven, vivid, dramatically expressive and urgent, with rhythmic pulse and sharp accentuation; oscillating between veiled fragility, late-Romantic lyricism, and energetic intensity.

fuasi´s organ ensemble. berlin (germany)

TRIO L.O.D.. TOKYO (JAPAN)

sábado, 3 de enero de 2026

workshop - laboratorio con TOBIA BONDESAN. BOLOGNA (ITALIA)

Conduction e Tecniche Creative di Interazione Musicale Collettiva in Large Ensemble

Con Tobia Bondesan

Due giornate (una a gennaio e una a febbraio) dedicate all’esplorazione delle possibilità espressive dell’organico orchestrale: un’opportunità speciale per per conoscersi, suonare assieme ed esplorare le potenzialità dei grandi ensemble. Se vuoi entrare nel cuore della musica improvvisata e scoprire come interagire creativamente in un contesto collettivo, questo workshop è pensato per te!

Cosa faremo?

Durante una giornata intensa di laboratorio, lavoreremo su:

* Improvvisazione libera e improvvisazione strutturata

* forme e contenuti della musica improvvisata

* parametri fondamentali e organizzazione del suono

* Creazione di texture orchestrali

* partiture e notazioni non convenzionali

* Tecniche di conduzione gestuale

A chi è rivolto?

Il workshop è aperto a tutti i musicisti con una buona padronanza della tecnica strumentale di base: non importa quale sia il tuo strumento, se ti appassiona l’improvvisazione collettiva, questo è il posto giusto per te!

Quando e dove?