MÚSICA DIFÍCIL - Emisión 2 de septiembre de 2025

PLAYLIST MÚSICA DIFÍCIL EN TIEMPOS DIFÍCILES 2 SEPTIEMBRE 2025

• EMOTIONAL ANHEDONIA: Towncircle Panorama Noises (Music of Crossroads, Erythroleukoplakia Records, 2020)
• EMOTIONAL ANHEDONIA: Locus of Control (Ритуали, Erythroleukoplakia Re-cords, 2022)
• EMOTIONAL ANHEDONIA: Schizophrenia (Ритуали, Erythroleukoplakia Records, 2022)
• EMOTIONAL ANHEDONIA: Attention Deficit Hyperactivity (Ритуали, Erythroleuko-plakia Records, 2022)
• EMOTIONAL ANHEDONIA: До Вершини (Multiplied by Zero, Erythroleukoplakia Records, 2023)
• EMOTIONAL ANHEDONIA: Stairs to Lower Level (Exit the Void, Erythroleukoplakia Records, 2023)
• EMOTIONAL ANHEDONIA: LIVE on ENERGOZBIY (Live on Energozbiy, Erythro-leukoplakia Records, 2022)
• EMOTIONAL ANHEDONIA: Gloom /w Sergei Petrosian (Overhanging Blurry, Ery-throleukoplakia Records, 2021)

MCL- METZ (France)

                         DIE HOCHSTAPLER [France/Allemagne/Italie]

Louis Laurain trompette
Pierre Borel saxophone alto
Hannes Lingens batterie
Antonio Borghini contrebasse

Depuis 2011 Die Hochstapler a développé un style très personnel basé sur la composition collective,  l'individualisme radical et la communication orale. La poésie, les alphabets et les structures de jeu servent de base au panier de mémoire commun dans lequel les quatre joueurs puisent à chaque représentation d'une manière nouvelle et imprévisible. Leur travail est documenté sur cinq albums et a été présenté dans des festivals et des salles en Europe et aux Etats Unis : Philharmonie de Paris, Berlin Jazzfest, Constellation (Chicago), Donaueschingen Musiktage, Festival Météo, Festival Moers...

Jeudi 4 septembre - 20h00 - participation libre (conseillé entre 5 et 10 euros)
Maison de la Culture et des Loisirs de Metz - 36 rue saint Marcel - Metz

openSPEECH TRIO- Odemira (Portugal)

 

Coming up – playing live in concert: openSPEECH TRIO – CARLOS BECHEGAS (flutes) | RUI FAUSTINO (drums) | ULRICH MITZLAFF (violoncello) - If you are around Odemira (Portugal) – just pop around… 4 de setembro 2025, at 21.30h, Quintal da Música de Odemira, Rotunda do Lagar, 7630-122 Odemira, Portugal – Odemira, Camara Municipal de Odemira – Co-Curadoria: Miso Music Portugal.

EXPLORATORIUM. Berlin (Germany)

 

Max Arsava (DE): piano

Tomaž Grom (SI): double bass

Florian Fischer (DE): drums

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> admission on a donation basis

> exploratorium-berlin.de/en/events/stage/arsava-fischer-grom

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Max Arsava works in jazz and free jazz, as well as electroacoustic music. He curates the series »explorations« at exploratorium berlin and is co-host of Richten25 and the collective »neu berlin institute of improvised music« | maxarsava.com

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For Tomaž Grom, double bass player and author, music is rather a medium of communication than aesthetic pleasure – a form of seeking, unanswered questions, flow of ideas, unpredictable situations. He is the founder and artistic director of @Zavod Sploh for art production and publishing, and curates the music festival »Sound (Dis)obedience« and several concert series | www.sploh.si/en/about-sploh/artists/tomaz-grom

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Flo Fischer works on his own style of improvised music, incorporating concepts from psychology, theater, visual arts, and literature – inspired by spectral music, contemporary composition, and Black American music | florianfischerdrums.com

Exploratorium: Zossener Straße 24, 10961 Berlin, Deutschland

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CINETECA MADRID. Matadero. Madrid

 RELATOS DEL RUIDO

Capítulo XXIII: Evocación del lugar (músicas 

fuera de sitio)

Compartir en:

 

 

CINETECA MADRID

Plaza de Legazpi, 8
28045 Madrid
(Matadero Madrid)

3 SEPTIEMBRE - 19:00 h  Sala Borau

Esta edición del ciclo “Relatos del ruido” —que, tras el verano, puede sentirse como un regreso— está dedicada a la idea de lugar. Los sonidos, al acariciar ciertas regiones de nuestra memoria inaccesibles a otros estímulos, consiguen remitirnos a determinados espacios que hemos transitado, habitado… o, simplemente, imaginado. Las composiciones conjuradas en esta sesión de escucha evocan islas, túneles, jardines, ciudades, habitaciones, incluso paraísos… Lo hacen, siempre, de manera abstracta, es decir, sin especificar emplazamientos geográficos identificables en un mapa (pero que, sin embargo, de alguna extraña forma, conocemos —y la música nos permite volver a visitarlos—).

Miguel Álvarez-Fernández

Horario de taquilla: de martes a domingo de 16:30 a 20:30 o hasta inicio de sesión. No hay servicio de taquilla en horario de mañana, las entradas para las sesiones matinales podrán adquirirse previamente online o en taquilla de martes a domingo por la tarde.
Entradas también disponibles en la taquilla de Casa de la Panadería, Plaza Mayor, 27. Horario de martes a domingo de 10:30 a 14:30 y de 16:30 a 20:00. Todas las taquillas permanecerán cerradas el 24 y el 31 de diciembre.
Venta anticipada

JAZZLAND. Wien (Austria)

 

                                                               JAZZLAB

1 September 2025- 21 h

Andy Bartosh Guit

Sascha Otto Sax, Fl

Sylavain Desandes Bass, Voc

Walter Maderner Drums

Jazzlab bietet eine frische und innovative Interpretation des Jazz, bei der Tradition und Moderne gekonnt verbunden werden. Mit einem vielseitigen und bunten Repertoire, das von Eigenkompositionen bis hin zu neu interpretierten Jazz-Standards reicht, integriert die Band verschiedene Elemente anderer Musikstile wie Country, Latin und Funk in ihre Jazz Arrangements. Ihre entspannte Spielweise und originellen Arrangements schaffen eine einzigartige Klangwelt, die das Publikum immer wieder mitreißt. Jazzlab überzeugt durch eine persönliche Note in jedem Stück und begeistert live durch ihre musikalische Vielfalt.

Jazzland. Gymnasiumstrasse 16/22. Wien

ARS ELECTRONICA 2025 - Linz (Austria)

                                                      https://ars.electronica.art/panic/en/

September 3 - September 7

Sweet Water 3.0

Ars Electronica

Event ChunLi (TW) Sweet Water 3.0 is an audiovisual work curated by ChunLi, consisting of live improvised music and real-time storytelling visuals. Drawing from profound myths and speculative futures, the music and visuals will subtly convey a story of contemporary humor through electronic instruments and transcribed reverbs. DATE(s)

University of Arts Linz, Hauptplatz 6

Wed3

September 3 @ 13:00 - 14:00

The lost limbo: Sister Lin-Tou

Postcity Waldeggstraße 41, Linz, Upper Austria, Austria

Ars Electronica

MeimageDance (TW) In this VR journey inspired by the traditional Taiwanese folk tale “Sister Lin-Tou” and based on a female form, the dancer’s body expands into a vast performance space resembling flesh or intertwining like vines, along with punctual ritualistic performances. The evocative experience blending east and west, past and present, explores the social positioning […] 

Duration of performance: 5 minutes Performance is repeated every 20 minutes.

Wed 3. Sep 202513:00–14:00

Wed 3. Sep 202516:00–17:00

Thu 4. Sep 202513:00–14:00

Thu 4. Sep 202516:00–17:00

Thu4

September 4 @ 11:00 - 13:00

AI TOOLBOX – PREMIERE PROJECT

Postcity Waldeggstraße 41, Linz, Upper Austria, Austria

Ars Electronica

Pablo Palacio (ES), Daniel Bisig (CH), Farzaneh Nouri (IR) The workshop presents the AI Toolbox, a set of open-source tools developed in the Horizon Europe project „Premiere“. It supports generative computer methods for creative work in performing arts. The toolbox combines AI and conventional algorithms to record and analyze performers’ movements, translate these into audio, […]

Thu4

September 4 @ 16:00 - 18:00

Archival Images of AI

Postcity Waldeggstraße 41, Linz, Upper Austria, Austria

Ars Electronica

Rasa Bocyte (LT) In this hands-on, two-hour workshop, participants will: • Learn to identify common visual tropes in AI: What stories do they tell? What stories do they conceal? • Write their own image briefs tailored to their AI communication needs • Understand how reusing and reinterpreting cultural heritage collections can challenge mainstream AI narratives […]

Fri5

September 5 @ 13:00 - 15:00

Mensch-Maschine Teamwork

Postcity Waldeggstraße 41, Linz, Upper Austria, Austria

Ars Electronica

First Floor Workshop Space Adrian Rudershausen (DE), Hanke Homburg (DE), Florian Ullrich (DE), Benjamin Buck (DE), Nils Penner (DE), Sylvia Amman (AT) Kann KI zu einem produktiven Teammitglied in Bildungs- und Kulturorganisationen werden? Wir loten die Möglichkeiten und Herausforderungen aus, KI-Systeme so zu gestalten, dass sie menschliche Rollen, Persönlichkeiten und Verhalten glaubhaft emulieren und produktiv […]

Fri5

September 5 @ 16:00 - 17:30

Canary in the Coal Mine

Postcity Waldeggstraße 41, Linz, Upper Austria, Austria

Ars Electronica

A game of absurd sensing infrastructures Denisa Pubalova (CZ), Léna Defay (FR), Lina Mittendorff (DE) Die Spielenden reagieren auf absurde Impulse, indem sie spekulative Wahrnehmungsinfrastrukturen entwerfen, die mehr-als-menschliche Sinnesfähigkeiten mit realen Sensoren verschmelzen. Präsentiert als interaktives Brettspiel, erforscht es, wie Wahrnehmung in Zeiten der Panik ausgelagert, überlastet und ausgebeutet wird. Als Teil von CODE lädt […]

Fri5

September 5 @ 17:00 - 18:00

Sonic Ecologies

University of Arts Linz Hauptplatz 6 + 8, Linz, Upper Austria, Austria

Ars Electronica

Jacob Elias Aran (DE), Diana Karle (DE), Jasper Seibert (DE), Robin Max Wieber (DE), Karlotta Sperling (DE), Lisa Zwinscher (DE), in collaboration with Nina Bendix Igleses (BR) Sonic Ecologies is a sonic and performative platform presenting a collaborative concert that investigates the ecological, generative, and disruptive dimensions of listening. In the interplay between sound, body, and […]

Sat6

September 6 @ 15:00 - 16:00

Sonic Ecologies

University of Arts Linz Hauptplatz 6 + 8, Linz, Upper Austria, Austria

Ars Electronica

Jacob Elias Aran (DE), Diana Karle (DE), Jasper Seibert (DE), Robin Max Wieber (DE), Karlotta Sperling (DE), Lisa Zwinscher (DE), in collaboration with Nina Bendix Igleses (BR) Sonic Ecologies is a sonic and performative platform presenting a collaborative concert that investigates the ecological, generative, and disruptive dimensions of listening. In the interplay between sound, body, and […]